Right in the thick of things, Ant-Man, the ever charming and funny criminal-turned-superhero has a very important question during a serious conversation between the Wasp (Evangeline Lilly) and Hank Pym (Michael Douglas). They’re discussing important subjects like the quantum realm, quantum experiments and other quantum-related elements.
Just then, Scott Lang aka Ant-Man (Paul Rudd) chimes in, “Do you guys just put quantum before everything?” It’s not his first inane quip to temper situations and it won’t have been the last. Rudd’s superhero may not be the most popular in the Marvel Cinematic Universe to get his own film, but he does have remarkable humour and wit going for him.
Avengers: Infinity War
(2018) turned out to be the biggest blockbuster to emerge from the Marvel kitty. While the superhero cinematic universe has been upping the ante with every single release, it seemed unlikely that any attempt could trump
. Unfortunately, that guesstimate has turned out to be very true indeed. So naturally
Ant-Man and the Wasp
has fallen short of filling the Grand Canyon-size hole that the previous Marvel outing has left.
Lang (Rudd) who has taken over from Pym, is under house arrest in the aftermath of
Captain America: Civil War
(post the enforcement of the Sokovia Accords).
He’s lost touch with Pym, the original Ant-Man and Hope Van Dyne aka the Wasp (Evangeline Lilly) who have gone into hiding fearing arrest. It’s on the chance that Janet, the original Wasp (Michelle Pfeiffer) — who vanished in the quantum realm — could still be alive that unites the trio. There’s plenty of scientific mumbo jumbo involved to rescue Janet, Van Dyne’s mother; evil guys have realised how lucrative Pym’s quantum technology can possibly be; an underwhelming villain is the annoying ant in the three heroes’ ointment; and the FBI is on hot on Lang’s tail or should we say gaster (the posterior of the many-legged insects).
Ant-Man and the Wasp
has very little action and a single unimpressive car chase sequence, in which Lilly shines through and through. The sparse special effects are staid and par for the course. So ultimately director Peyton Reed focuses on the film’s strength: Rudd’s good-guy charm. Complement that with other comedic relief in the form of his crew — Luis (a hilarious Michael Peña), Dave (Tip “T.I.” Harris) and Kurt (David Dastmalchian) — and Reed’s got a sure winner. Even
Fresh Off The Boat
’s Randall Park’s turn as the sweet FBI agent Jimmy Woo is a delight to watch, especially his awkward repartee with Lang.
While Reed hasn’t quite broken the Marvel mould, he puts together a competent feel-good feature instead of the usual superhero spectacle.
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